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ALL CREWS INTERNATIONAL: COLOMBIA

  • adancecalledhardwe
  • Feb 24
  • 6 min read

This week we're tracing Jungle Drum & Bass's journey through the Gateway of South America - Colombia!


Womandbass



Please tell our All Crews readers about Womandbass.

WomandBass is a musical collective led by women who stand out in the artistic and cultural scene with a unique and vibrant selection encompassing diverse musical genres, from electronic sounds to urban rhythms. Each member contributes her distinctive style, creating authentic and captivating sonic experiences.


How has Womandbass helped to push Jungle/Drum n' Bass culture forward in Colombia?

Our social projects allow us to keep these sounds alive through new generations, fostering learning, creativity, and artistic connection. From workshops and events to inclusive initiatives, WomandBass combines talent and commitment to transform the music scene, leaving a profound mark on culture and building a community that celebrates diversity, artistic expression, and innovation.


What are some future goals and plans you have for Womandbass?

Womandbass dreams of transforming the drum and bass scene into a safe and inclusive space for all its audiences, creating spaces where the music takes centre stage. We also aspire to establish a women-led bass music festival and a global network that showcases the work of diverse women in the bass music scene worldwide.


Social Media Links:



María Zue



Please tell our All Crews Readers about Hydra Sound.

Hydra Sound is an electronic music label created by WomandBass with the primary goal of highlighting female talent in the music industry. Inspired by Greek mythology, the name "Hydra" refers to the Lernaean Hydra, a legendary multi-headed water serpent. Like the Hydra, Hydra Sound seeks to explore and promote musical diversity, represented by the many talented artists who make up the label.


How did you get into Jungle & Drum n' Bass?

I used to listen UK radio when I was a teenager on my ipod, I remember downloading an app that allowed me to listen to different radio shows around the world and I discovered Ministry of Sound and got stuck on this radio show and listening drum and bass and dubstep for the first time in my life. Then when I was at university I met a friend that used to go to DNB parties in Bogota, and I didn't know that there was actually a DNB scene in my city so I went to a party and I fell in love with the vibe and the people. I bought a ddj 400 controller and I learned by myself how to DJ, watching youtube videos until I applied for a warm up contest and I won. 


Talk to us about production, how long have you been producing and what are some elements of your process to produce tracks?

I have been producing for about 4 years, I took production classes with Brain in 2020 and since then I have been learning and developing my production skills. Some main elements in my production style are the vocals, I love to sing even if I feel I'm not a good singer, I just love to sing since I was a kid, so I try to include singing in all my tracks, my vocals in english and spanish which makes it more difficult and complicated, at least for me. 


Social Media Links:


DJ LUISA X



Please tell us about HYPE BOX.

HYPE BOX is a turntablist DJ from Bogotá who works closely with me. Besides being a DJ, I also work as a manager and artist representative, and HYPE BOX has become one of the most important turntablists not only in Colombia but across Latin America. His talent as a beatmaker, producer and professional scratch artist has made him a key figure in the scene. Working with him has allowed me to connect with a high level of artistry and technique, and together we keep pushing the culture forward.


Who are some of your favorite Jungle and Drum n' Bass artists at the moment and why?

Some of the artists that have really shaped my style are those who carry a strong influence from Hip Hop and Jungle. Deekline, Ed Solo, Benny Page and Aries are big inspirations for me. Their energy, their breakbeats and the way they blend basslines with that raw, original jungle feeling have played a huge role in how I build my sets. Their sound has definitely influenced the direction of my music and the vibe I bring to the dancefloor.


What elements do you look for in tracks when you're putting together a DJ set or playing at a party?

I always look for music that aligns with my sound and my musical identity, tracks that let me blend salsa, rap and scratch techniques without losing the essence of Drum and Bass. This combination allows me to create both dynamism and a strong sense of identity in my sets.


Social Media Links:



ANALOG



Tell us about InBASSion Records.

Inbassion started back in 2008 when a group of friends connected over their shared love and special taste for vinyl records, especially Jungle and Drum & Bass. Since then, InBassion has been an active player in the Colombian scene, with talented resident djs and producers, throwing unforgettable events that people still remember, bringing renowned local and international artists. 
Then in 2012, Inbassion Rec was born, a bass music record label that has been growing ever since, with more than 20 releases from artists all around the globe.


What are your top 5 Jungle & Drum n' Bass tracks ever?

- Original Nuttah - Shy Fx & UK Apache

- Junglist - Congo Natty

- Back to Reality - RMS

- Slum Dub - S.P.Y

- Back to the Jungle VIP - Bladerunner


Tell us 3 characteristics that make a great DJ and why those 3 are important.

- A good selecta: Prepare each set the most authentic as possible, explore new music constantly and bring back nice oldies.


- Technical skills: Rehearse and develop the skills as much as possible, learn new tricks and tips, share with friends and colleagues.


- Enjoy the mix: This part is important because it brings together the good selecta with the skills, and where it all just flows, no matter if you’re at home or at a gig.


Social Media Links:



ABISWEET



Talk to us about your production style, what types of Jungle & Drum n' Bass do you produce.

"My production style is more uplifting, with rollers and jump-up drums, but with darker basslines. You could say I fuse those styles, creating something unique and taking it toward a more commercial sound.


How has DJ'ing changed the way you listen to music?

DJing has completely changed the way I listen to music. Now I don’t just listen for enjoyment, I pay attention to the details: the transitions, the energy, the structure, the rhythm changes, and how each element can work in a mix. I also analyze how people on the dancefloor might react and how each track can fit into a set. In short, I listen to music in a more technical, strategic way, with a much broader perspective.


What are some goals you have for yourself musically going forward?

My purpose is to travel, perform, and take my music to every corner of the country. I also want to create my own label, work across various musical genres, and develop beats for different artists who sing and want to begin their musical journey. I would love to support them within the industry and work as a beat-maker for them.


Social Media Links:



AMARELA



How has Jungle & Drum n' Bass enriched your life?

Completely. Drum & Bass changed my life for the better. It took me to unique experiences, outside my city and even outside my country. Through this sound I’ve met amazing people and, above all, I’ve learned to believe in myself.


How are some of your favorite DJ's to play with and why?

I’d love to play with DJ Spy because he was the first Drum’n’Bass artist who truly captured my love for this sound. His music is progressive, constantly shifting dynamics, and that completely pulls me in.


How has your DJ'ing evolved from when you first started out, to now?

My career as a DJ has evolved significantly thanks to the solid Drum & Bass scene we have in Bogotá, Colombia. Many collectives work here, and I’ve had the chance to share with amazing people who have helped me grow and shape my musical proposal. It’s been a huge advantage for taking my artistic concept further and further. I’m grateful for the entire Colombian Drum & Bass scene


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